Editorial<\/strong> –\u00a0Andrzej Jakubowski and Alicja Jagielska-Burduk <\/p>\n The Role of UNIDROIT in Global Efforts\u00a0to Protect Cultural Heritage<\/strong> –\u00a0Professor Ignacio Tirado, Secretary-General UNIDROIT, talks to Alicja Jagielska-Burduk, Claudia S. Qui\u00f1ones Vil\u00e1, and Paul Fabel<\/p>\n The Meaning of Culture from a Human Rights Approach:\u00a0<\/strong>The Mandate of the UN Special Rapporteur\u00a0<\/strong>in the Field of Cultural Rights <\/strong>-Myl\u00e8ne Bidault and Johanne Bouchard talk to Beatriz Barreiro Carril<\/p>\n Interpreting and Applying Article XX(f) of the GATT 1994: \u201cNational Treasures\u201d in International Trade Law<\/strong> – Gabriele Gagliani<\/p>\n EU National Treasures and the Quest for a Definition<\/strong> – Sabrina Ferrazzi<\/p>\n Defining \u201cNational Treasures\u201d in the European Union. Is the Sky Really the Limit?<\/strong>\u00a0– Anna Frankiewicz-Bodynek and Piotr Stec<\/p>\n Preventing Trafficking in Cultural Property: Import and Export Provisions as Two Sides of the Same Coin<\/strong> – Robert Peters<\/p>\n Tarnished Treasures: Provenance and the UK\u2019s Waverley Criteria<\/strong> – Charlotte Woodhead<\/p>\n Photographs as \u201cCultural Property\u201d under Italian and European Union Law: A Complex Picture<\/strong> – Eliana Romanelli<\/p>\n The Reform of Italian Law on Cultural Property Export and Its Implications for the \u201cDefinitional Debate\u201d: Closing the Gap with the European Union Approach or Cosmetics? Some Systemic Considerations from a Criminal Law Perspective<\/strong> – Arianna Visconti<\/p>\n A Registry for Movable Cultural Property of Significant Importance to Switzerland: Limit to the Cross-Border Movement and Right of Ownership<\/strong> – Carine Simoes<\/p>\n UK Export Controls and National Treasures<\/strong> – Frances Wilson<\/p>\n The New Regime of Protecting Cultural Objects of National Significance under the German Cultural Property Protection Act 2016<\/strong> – Mara Wantuch-Thole<\/p>\n The Old Summer Palace and the Rhetoric of National Treasures<\/strong> – Derek Gillman<\/p>\n Looking Humanity in the Eye and Seeing its Loss in the Eyes of the ICC: An Evaluation of Daesh\u2019s Destruction of Palmyra using the Gravity Assessment Made by the ICC Prosecutor in the Al Mahdi Case<\/strong> – Musab Talha G\u00fcnay<\/p>\n[and more]\n Please visit the following website to access the Journal: http:\/\/www.ejournals.eu\/SAACLR\/<\/a>[:]\n","protected":false},"excerpt":{"rendered":"Nous sommes heureux de vous informer que les actes de la conf\u00e9rence sur la circulation transfrontali\u00e8re des \u0153uvres d’art en Europe ont \u00e9t\u00e9 publi\u00e9s dans le dernier num\u00e9ro de la \u00ab\u00a0Santander Art and Culture Law Review\u00a0\u00bb (SAACLR) ((vol. 5)2019(no. 2)) en ligne en libre acc\u00e8s. Contenus Editorial –\u00a0Andrzej Jakubowski and Alicja Jagielska-Burduk Guest Editorial –\u00a0\u201cNational… Voir l’article<\/a>","protected":false},"author":3,"featured_media":1713,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[77,3],"tags":[],"class_list":["post-4119","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-fr","category-news"],"acf":[],"_links":{"self":[{"href":"https:\/\/artlawfoundation.com\/fr\/wp-json\/wp\/v2\/posts\/4119","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artlawfoundation.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artlawfoundation.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artlawfoundation.com\/fr\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/artlawfoundation.com\/fr\/wp-json\/wp\/v2\/comments?post=4119"}],"version-history":[{"count":0,"href":"https:\/\/artlawfoundation.com\/fr\/wp-json\/wp\/v2\/posts\/4119\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artlawfoundation.com\/fr\/wp-json\/wp\/v2\/media\/1713"}],"wp:attachment":[{"href":"https:\/\/artlawfoundation.com\/fr\/wp-json\/wp\/v2\/media?parent=4119"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artlawfoundation.com\/fr\/wp-json\/wp\/v2\/categories?post=4119"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artlawfoundation.com\/fr\/wp-json\/wp\/v2\/tags?post=4119"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nGuest Editorial<\/strong> –\u00a0\u201cNational Treasures\u201d: Limits on Private Property and Cross-Border Movements <\/strong>–\u00a0Anne Laure Bandle, Alessandro Chechi, and Marc-Andr\u00e9 Renold<\/p>\n![\"\"](\"https:\/\/artlawfoundation.com\/site\/wp-content\/uploads\/2020\/02\/SAACRL.jpg\")
<\/p>\nInterviews<\/strong><\/h3>\n
General Articles<\/strong><\/h3>\n
Legal Commentaries<\/strong><\/h3>\n
Varia<\/strong><\/h3>\n
Debuts<\/strong><\/h3>\n