{"id":4103,"date":"2019-08-09T16:42:48","date_gmt":"2019-08-09T14:42:48","guid":{"rendered":"https:\/\/artlawfoundation.com\/art-law-magazine-9\/"},"modified":"2019-08-09T16:42:48","modified_gmt":"2019-08-09T14:42:48","slug":"art-law-magazine-9","status":"publish","type":"post","link":"https:\/\/artlawfoundation.com\/fr\/art-law-magazine-9\/","title":{"rendered":"Art Law Magazine 9"},"content":{"rendered":"<div id=\"attachment_1597\" style=\"width: 367px\" class=\"wp-caption alignright\"><a href=\"https:\/\/artlawfoundation.com\/francais-art-law-magazine-9\/ram-georgina-adam\/\" rel=\"attachment wp-att-1597\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1597\" class=\"wp-image-1597\" src=\"https:\/\/artlawfoundation.com\/site\/wp-content\/uploads\/2019\/08\/RAM-georgina-adam.jpg\" alt=\"\" width=\"357\" height=\"268\" srcset=\"https:\/\/artlawfoundation.com\/site\/wp-content\/uploads\/2019\/08\/RAM-georgina-adam.jpg 4032w, https:\/\/artlawfoundation.com\/site\/wp-content\/uploads\/2019\/08\/RAM-georgina-adam-250x188.jpg 250w, https:\/\/artlawfoundation.com\/site\/wp-content\/uploads\/2019\/08\/RAM-georgina-adam-768x576.jpg 768w, https:\/\/artlawfoundation.com\/site\/wp-content\/uploads\/2019\/08\/RAM-georgina-adam-700x525.jpg 700w, https:\/\/artlawfoundation.com\/site\/wp-content\/uploads\/2019\/08\/RAM-georgina-adam-600x450.jpg 600w, https:\/\/artlawfoundation.com\/site\/wp-content\/uploads\/2019\/08\/RAM-georgina-adam-120x90.jpg 120w\" sizes=\"auto, (max-width: 357px) 100vw, 357px\" \/><\/a><p id=\"caption-attachment-1597\" class=\"wp-caption-text\">Georgina Adam \u00e0 la conf\u00e9rence RAM<\/p><\/div>\n<p>Le dernier volume du Art Law Magazine comprend les contributions de nos membres de Suisse et de l&rsquo;\u00e9tranger sur le droit anti-blanchiment d&rsquo;argent au Royaume-Uni et en Suisse impactant le march\u00e9 de l&rsquo;art, les contrats d&rsquo;investissement en art en Belgique, la 3e conf\u00e9rence RAM et les derni\u00e8res nouveaut\u00e9s en droit de l&rsquo;art et des biens culturels suisse :<\/p>\n<ul>\n<li>The Application of Anti-Money Laundering Regulatory Norms to the Art Market, in the United Kingdom and in Switzerland \u2013 Par St\u00e9phanie Junod<\/li>\n<li>Cross-border movement of works of art &#8211; Applicable Thresholds and Practical Considerations in Italy &#8211; Par Giuseppe Calabi<\/li>\n<li>Art Investment Contracts: Application of securities law to art purchases in Belgium \u2013 Par Oliver Lenaerts<\/li>\n<li>Conference report: The Third Responsible Art Market Initiative Conference, Geneva 1st February 2019 \u2013\u00a0Par Simine Sheybani<\/li>\n<li>Nouvelles suisses en droit de l\u2019art et des biens culturels \u2013 Morgane Desboeufs<\/li>\n<\/ul>\n<p>Acc\u00e8der au Magazine <a href=\"https:\/\/artlawfoundation.com\/fr\/magazine\/\">en ligne<\/a> (membres exclusivement).[:]\n","protected":false},"excerpt":{"rendered":"Le dernier volume du Art Law Magazine comprend les contributions de nos membres de Suisse et de l&rsquo;\u00e9tranger sur le droit anti-blanchiment d&rsquo;argent au Royaume-Uni et en Suisse impactant le march\u00e9 de l&rsquo;art, les contrats d&rsquo;investissement en art en Belgique, la 3e conf\u00e9rence RAM et les derni\u00e8res nouveaut\u00e9s en droit de l&rsquo;art et des biens&#8230; <a class=\"view-article\" href=\"https:\/\/artlawfoundation.com\/fr\/art-law-magazine-9\/\">Voir l&rsquo;article<\/a>","protected":false},"author":3,"featured_media":1597,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[77,3],"tags":[],"class_list":["post-4103","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-fr","category-news"],"acf":[],"_links":{"self":[{"href":"https:\/\/artlawfoundation.com\/fr\/wp-json\/wp\/v2\/posts\/4103","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artlawfoundation.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artlawfoundation.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artlawfoundation.com\/fr\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/artlawfoundation.com\/fr\/wp-json\/wp\/v2\/comments?post=4103"}],"version-history":[{"count":0,"href":"https:\/\/artlawfoundation.com\/fr\/wp-json\/wp\/v2\/posts\/4103\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artlawfoundation.com\/fr\/wp-json\/wp\/v2\/media\/1597"}],"wp:attachment":[{"href":"https:\/\/artlawfoundation.com\/fr\/wp-json\/wp\/v2\/media?parent=4103"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artlawfoundation.com\/fr\/wp-json\/wp\/v2\/categories?post=4103"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artlawfoundation.com\/fr\/wp-json\/wp\/v2\/tags?post=4103"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}