{"id":4002,"date":"2015-10-29T10:30:57","date_gmt":"2015-10-29T09:30:57","guid":{"rendered":"https:\/\/artlawfoundation.com\/magazine\/"},"modified":"2025-08-20T13:03:52","modified_gmt":"2025-08-20T11:03:52","slug":"magazine","status":"publish","type":"page","link":"https:\/\/artlawfoundation.com\/fr\/magazine\/","title":{"rendered":"Magazine"},"content":{"rendered":"<h1><strong><em>Art Law Magazine\u00a0<span class=\"grey\">|<\/span> <\/em><\/strong><strong><em><a href=\"https:\/\/artlawfoundation.com\/fr\/serie-des-etudes-en-droit-de-lart\/\">\u00c9tudes en droit de l\u2019art<\/a> <\/em><\/strong><\/h1>\n<div class=\"col-sm-12 bordo margMag\"><\/div>\n            <div class=\"col-sm-2 col-xs-3 hidden-sm text-center-md book-ico\"><img decoding=\"async\" src=\"https:\/\/artlawfoundation.com\/site\/wp-content\/themes\/FDA-\/imgs\/mag.jpg\"><\/div>\n          \t<div class=\"col-md-3 col-sm-4 col-xs-9 profileTxt magTxt\">\n            \t<h3><strong>Art Law Magazine #20<\/strong><\/h3>\n                <div class=\"info\">07.2025<\/div>\n                <p><a href=\"http:\/\/artlawfoundation.com\/membership\/\">register to download<\/a><\/p>\n            <\/div>\n<div class=\"col-md-7 col-sm-8 mag-list\">\n\t\t\t\n<ul>\n<li><span class=\"fontstyle0\">Responsible Restoration of Architectural Heritage through the Lens of IP and Cultural Rights<\/span><br \/>\n&#8211; By <span class=\"fontstyle0\">Mariam Aroian<\/span><\/li>\n<li><span class=\"fontstyle0\">Structuration juridique et implications fiscales pour les collectionneurs d&rsquo;art et les professionnels aux \u00c9mirats arabes unis <\/span>&#8211; By <span class=\"fontstyle0\">Arielle de Bartha-Dubois<\/span><\/li>\n<li><span class=\"fontstyle0\">Case study: Plundering Greek archeological patrimony \u2013 A cultural property dispute involving Switzerland, Italy and Greece <\/span>&#8211; By <span class=\"fontstyle0\">Dario Jucker<\/span><\/li>\n<li><span class=\"fontstyle0\">Conference report: The Artists&rsquo; Market, Responsible Art <\/span>Market Conference, Geneva, 31 January 2025 &#8211; By Vincent Tschannen<\/li>\n<li>Nouvelles acquisitions de la Biblioth\u00e8que du Centre du droit de l&rsquo;art<\/li>\n<\/ul>\n\n            <\/div>\n<div class=\"col-sm-12 bordo margMag\"><\/div>\n            <div class=\"col-sm-2 col-xs-3 hidden-sm text-center-md book-ico\"><img decoding=\"async\" src=\"https:\/\/artlawfoundation.com\/site\/wp-content\/themes\/FDA-\/imgs\/mag.jpg\"><\/div>\n          \t<div class=\"col-md-3 col-sm-4 col-xs-9 profileTxt magTxt\">\n            \t<h3><strong>Art Law Magazine #19<\/strong><\/h3>\n                <div class=\"info\">12.2024<\/div>\n                <p><a href=\"http:\/\/artlawfoundation.com\/membership\/\">register to download<\/a><\/p>\n            <\/div>\n<div class=\"col-md-7 col-sm-8 mag-list\">\n\t\t\t\n<ul>\n<li>Transformation or Infringement? Fair Use, Fair Dealing and Copyright on YouTube &#8211; Par Emmanuel Chouchena<\/li>\n<li>Ownership of an Icon: The Swiss Federal Court&rsquo;s Ruling on John Lennon&rsquo;s Patek Philippe &#8211; Par Vincent Guignet<\/li>\n<li>New Rules to Restrict the Importation of Cultural Property into the EU &#8211; Par Pierre Valentin<\/li>\n<li>Nouvelles acquisitions de la Biblioth\u00e8que du Centre du droit de l&rsquo;art<\/li>\n<\/ul>\n\n            <\/div>\n<div class=\"col-sm-12 bordo margMag\"><\/div>\n            <div class=\"col-sm-2 col-xs-3 hidden-sm text-center-md book-ico\"><img decoding=\"async\" src=\"https:\/\/artlawfoundation.com\/site\/wp-content\/themes\/FDA-\/imgs\/mag.jpg\"><\/div>\n          \t<div class=\"col-md-3 col-sm-4 col-xs-9 profileTxt magTxt\">\n            \t<h3><strong>Art Law Magazine #18<\/strong><\/h3>\n                <div class=\"info\">07.2024<\/div>\n                <p><a href=\"http:\/\/artlawfoundation.com\/membership\/\">register to download<\/a><\/p>\n            <\/div>\n<div class=\"col-md-7 col-sm-8 mag-list\">\n\t\t\t\n<ul>\n<li>Transactions en mati\u00e8re d&rsquo;objets d&rsquo;art et de collection : vers une due diligence de l&rsquo;acheteur ? &#8211; Par Malak El Addal<\/li>\n<li>Conference report: RAM\u2019s Eighth Annual Conference,<br \/>\nFrom Antiquities to Artificial Intelligence:<br \/>\nHow to Navigate Today\u2019s Art Market<br \/>\nGeneva, 25 January 2024<\/li>\n<li>Opening keynote speech: Future Art Market Issues &#8211; A view from the Ground Floor &#8211; Par Anthony JP Meyer<\/li>\n<li>Rapport de conf\u00e9rence : Obligation de restitution ?<br \/>\nDu traitement des biens culturels issus de contextes<br \/>\nprobl\u00e9matiques, Gen\u00e8ve, 15 f\u00e9vrier 2024 &#8211; Par Vincent Alain Dey<\/li>\n<li>Book review: The Art Collecting Legal Handbook<br \/>\n(Third Edition), edited by Bruno W. Boesch and Massimo<br \/>\nSterpi, published by Edward Elgar &#8211; Par Tatiana Jullier<\/li>\n<li>Nouvelles acquisitions de la Biblioth\u00e8que du Centre du droit de l&rsquo;art<\/li>\n<\/ul>\n\n            <\/div>\n<div class=\"col-sm-12 bordo margMag\"><\/div>\n            <div class=\"col-sm-2 col-xs-3 hidden-sm text-center-md book-ico\"><img decoding=\"async\" src=\"https:\/\/artlawfoundation.com\/site\/wp-content\/themes\/FDA-\/imgs\/mag.jpg\"><\/div>\n          \t<div class=\"col-md-3 col-sm-4 col-xs-9 profileTxt magTxt\">\n            \t<h3><strong>Art Law Magazine #17<\/strong><\/h3>\n                <div class=\"info\">12.2023<\/div>\n                <p><a href=\"http:\/\/artlawfoundation.com\/membership\/\">register to download<\/a><\/p>\n            <\/div>\n<div class=\"col-md-7 col-sm-8 mag-list\">\n\t\t\t\n<ul>\n<li>L&rsquo;entraide judiciaire internationale face aux infractions dans le march\u00e9 de l&rsquo;art &#8211; Par Maria Ludwiczak Glassey<\/li>\n<li>L&rsquo;accord bilat\u00e9ral Suisse-Turquie dans le domaine des biens culturels : l&rsquo;histoire d&rsquo;une n\u00e9gociation de plus de 15 ans &#8211; Par Ece Velioglu-Yildizci<\/li>\n<li>Rapport de conf\u00e9rence : Les prix records dans un march\u00e9 en retrait, Gen\u00e8ve, 9 octobre 2023 &#8211; Par Annette Borla Boss<\/li>\n<li>Rapport de conf\u00e9rence: Art num\u00e9rique &#8211; IA et NFTs dans le march\u00e9 de l&rsquo;art : Aspects juridiques et pratiques, Gen\u00e8ve, 16 novembre 2023 &#8211; Par Ammihud Joseph et Marion Consoli<\/li>\n<li>Nouvelles suisses en droit de l&rsquo;art et des biens culturels &#8211; Par Morgane Desboeufs<\/li>\n<li>Nouvelles acquisitions de la Biblioth\u00e8que du Centre du droit de l&rsquo;art<\/li>\n<\/ul>\n\n            <\/div>\n<div class=\"col-sm-12 bordo margMag\"><\/div>\n            <div class=\"col-sm-2 col-xs-3 hidden-sm text-center-md book-ico\"><img decoding=\"async\" src=\"https:\/\/artlawfoundation.com\/site\/wp-content\/themes\/FDA-\/imgs\/mag.jpg\"><\/div>\n          \t<div class=\"col-md-3 col-sm-4 col-xs-9 profileTxt magTxt\">\n            \t<h3><strong>Art Law Magazine #16<\/strong><\/h3>\n                <div class=\"info\">hors s\u00e9rie \/ 05.2023<\/div>\n                <p><a href=\"http:\/\/artlawfoundation.com\/membership\/\">register to download<\/a><\/p>\n            <\/div>\n<div class=\"col-md-7 col-sm-8 mag-list\">\n\t\t\t\n<ul>\n<li>Conference Report: Hot Topics for Art Businesses in 2023: NFTs and Sustainability, Responsible Art Market, New York, 2 March 2023 &#8211; Par Giulia Anselmo<\/li>\n<li>Conference Report: Evolutions in Collecting Art: Practices and Challenges, Responsible Art Market, Geneva, 27 January 2023 &#8211; Par Matteo Pace<\/li>\n<li>Rapport de conf\u00e9rence : Infractions p\u00e9nales dans le march\u00e9 de l\u2019art, Colloque annuel de la Fondation pour le droit de l\u2019art et du Centre du droit de l\u2019art, Gen\u00e8ve, 10 novembre 2022 &#8211; Par Clara Veuthey<\/li>\n<li>Conference report: Negotiating the Human: Justice, Ethics and Culture in Dealing with Human Remains, Art-Law Centre, Geneva, 16 September 2022 &#8211; Par Clara Veuthey<\/li>\n<li>Nouvelles acquisitions de la Biblioth\u00e8que du Centre du droit de l&rsquo;art<\/li>\n<\/ul>\n\n            <\/div>\n<div class=\"col-sm-12 bordo margMag\"><\/div>\n            <div class=\"col-sm-2 col-xs-3 hidden-sm text-center-md book-ico\"><img decoding=\"async\" src=\"https:\/\/artlawfoundation.com\/site\/wp-content\/themes\/FDA-\/imgs\/mag.jpg\"><\/div>\n          \t<div class=\"col-md-3 col-sm-4 col-xs-9 profileTxt magTxt\">\n            \t<h3><strong>Art Law Magazine #15<\/strong><\/h3>\n                <div class=\"info\">07.2022<\/div>\n                <p><a href=\"http:\/\/artlawfoundation.com\/membership\/\">register to download<\/a><\/p>\n            <\/div>\n<div class=\"col-md-7 col-sm-8 mag-list\">\n\t\t\t\n<ul>\n<li>The Missing Piece: A Plea for Innovation of the Primary Art Market &#8211; Par Juliane Wagner<\/li>\n<li>La nouvelle loi luxembourgeoise relative au patrimoine culturel : un bond en avant &#8211; Par Eric Perru<\/li>\n<li>Conference report : 2022 Responsible Art Market Conference, Geneva, 4 March 2022 &#8211; Par Irina Tarsis<\/li>\n<li>Nouvelles suisses en droit de l&rsquo;art et des biens culturels &#8211; Par Morgane Desboeufs<\/li>\n<li>Nouvelles acquisitions de la Biblioth\u00e8que du Centre du droit de l&rsquo;art<\/li>\n<\/ul>\n\n            <\/div>\n<div class=\"col-sm-12 bordo margMag\"><\/div>\n            <div class=\"col-sm-2 col-xs-3 hidden-sm text-center-md book-ico\"><img decoding=\"async\" src=\"https:\/\/artlawfoundation.com\/site\/wp-content\/themes\/FDA-\/imgs\/mag.jpg\"><\/div>\n          \t<div class=\"col-md-3 col-sm-4 col-xs-9 profileTxt magTxt\">\n            \t<h3><strong>Art Law Magazine #14<\/strong><\/h3>\n                <div class=\"info\">12.2021<\/div>\n                <p><a href=\"http:\/\/artlawfoundation.com\/membership\/\">S'inscrire pour acc\u00e9der aux publications<\/a><\/p>\n            <\/div>\n<div class=\"col-md-7 col-sm-8 mag-list\">\n\t\t\t\n<ul>\n<li>The public sale of an artwork: balancing between an art collector&rsquo;s ownership and the artist&rsquo;s divulgation right &#8211; Par Oliver Lenaerts<\/li>\n<li>L&rsquo;inali\u00e9nabilit\u00e9 d&rsquo;objets des collections d&rsquo;art en Suisse : mythe ou r\u00e9alit\u00e9 ? &#8211; Par Laura Dabo<\/li>\n<li>Rapport de conf\u00e9rence : Transactions d&rsquo;art, risques et responsabilit\u00e9s, Gen\u00e8ve, le 11 novembre 2021 &#8211; Par Cl\u00e9mence de Weck<\/li>\n<li>Rapport de conf\u00e9rence : D\u00e9coloniser le patrimoine &#8211; Le retour des biens culturels en Afrique : une perspective de droit internationale, Gen\u00e8ve, le 24 septembre 2021 &#8211; Par Juliette Merkt<\/li>\n<li>Nouvelles acquisitions de la Biblioth\u00e8que du Centre du droit de l&rsquo;art<\/li>\n<\/ul>\n\n            <\/div>\n<div class=\"col-sm-12 bordo margMag\"><\/div>\n            <div class=\"col-sm-2 col-xs-3 hidden-sm text-center-md book-ico\"><img decoding=\"async\" src=\"https:\/\/artlawfoundation.com\/site\/wp-content\/themes\/FDA-\/imgs\/mag.jpg\"><\/div>\n          \t<div class=\"col-md-3 col-sm-4 col-xs-9 profileTxt magTxt\">\n            \t<h3><strong>Art Law Magazine #13<\/strong><\/h3>\n                <div class=\"info\">07.2021<\/div>\n                <p><a href=\"http:\/\/artlawfoundation.com\/membership\/\">S'inscrire pour acc\u00e9der aux publications<\/a><\/p>\n            <\/div>\n<div class=\"col-md-7 col-sm-8 mag-list\">\n\t\t\t\n<ul>\n<li>The Resale Right in Belgium &#8211; Par Leo Peeters et Toon Delie<\/li>\n<li>Social media influencers and works of visual art in the public domain &#8211; Par Matteo Piccinali<\/li>\n<li>Conference report : 5th Responsible Art Market (RAM) Conference &#8211; Innovation and change in a responsible art market &#8211; Par Ruth Whittaker<\/li>\n<li>Conference report : Non-Fungible Tokens in the art market: the beginning of a digital art boom? &#8211; Par Leila A. Amineddoleh, Clara Cassan et Claudia Quinoes<\/li>\n<li>Book reviews &#8211; Par Adrienne Bauer<\/li>\n<li>Nouvelles suisses en droit de l\u2019art et des biens culturels &#8211; Par Morgane Desboeufs<\/li>\n<li>Nouvelles acquisitions de la Biblioth\u00e8que du Centre du droit de l&rsquo;art<\/li>\n<\/ul>\n\n            <\/div>\n<div class=\"col-sm-12 bordo margMag\"><\/div>\n            <div class=\"col-sm-2 col-xs-3 hidden-sm text-center-md book-ico\"><img decoding=\"async\" src=\"https:\/\/artlawfoundation.com\/site\/wp-content\/themes\/FDA-\/imgs\/mag.jpg\"><\/div>\n          \t<div class=\"col-md-3 col-sm-4 col-xs-9 profileTxt magTxt\">\n            \t<h3><strong>Art Law Magazine #12<\/strong><\/h3>\n                <div class=\"info\">12.2020<\/div>\n                <p><a href=\"http:\/\/artlawfoundation.com\/membership\/\">S'inscrire pour acc\u00e9der aux publications<\/a><\/p>\n            <\/div>\n<div class=\"col-md-7 col-sm-8 mag-list\">\n\t\t\t\n<ul>\n<li>Artwork has no \u00ab\u00a0average price\u00a0\u00bb &#8211; how Switzerland&rsquo;s Supreme Court evaluates a divorcing couple&rsquo;s collection of paintings &#8211; Par Josef Alkatout<\/li>\n<li>Implications juridiques et fiscales de la d\u00e9tention d&rsquo;une collection d&rsquo;art par une soci\u00e9t\u00e9 commerciale en Suisse &#8211; Par Arielle Dubois<\/li>\n<li>Conference report &#8211; The world of arts confronted with new Swiss copyright law &#8211; 5th November 2020 &#8211; Par Melanie Damani<\/li>\n<li>Book review on the new edition of Kultur Kunst Recht &#8211; Schweizerisches und internationales Recht &#8211; Par Adrienne Bauer<\/li>\n<li>Nouvelles acquisitions de la Biblioth\u00e8que du Centre du droit de l&rsquo;art<\/li>\n<\/ul>\n\n            <\/div>\n<div class=\"col-sm-12 bordo margMag\"><\/div>\n            <div class=\"col-sm-2 col-xs-3 hidden-sm text-center-md book-ico\"><img decoding=\"async\" src=\"https:\/\/artlawfoundation.com\/site\/wp-content\/themes\/FDA-\/imgs\/mag.jpg\"><\/div>\n          \t<div class=\"col-md-3 col-sm-4 col-xs-9 profileTxt magTxt\">\n            \t<h3><strong>Art Law Magazine #11<\/strong><\/h3>\n                <div class=\"info\">07.2020<\/div>\n                <p><a href=\"http:\/\/artlawfoundation.com\/membership\/\">S'inscrire pour acc\u00e9der aux publications<\/a><\/p>\n            <\/div>\n<div class=\"col-md-7 col-sm-8 mag-list\">\n\t\t\t\n<ul>\n<li>Competing Interests of the Architect and the Property Owner under Turkish Law &#8211; Par Faruk \u00c7ikin \u00d6mer<\/li>\n<li>Acheter une oeuvre d&rsquo;art en temps de crise &#8211; Par Dr. Eric Perru<\/li>\n<li>Soci\u00e9t\u00e9 Les sabli\u00e8res de l&rsquo;Atlantique [Assiette et taux de la redevance d&rsquo;arch\u00e9ologie pr\u00e9ventive] &#8211; Par Thierry Rambaud<\/li>\n<li>\u201cLegalizing\u201d Street art in Moscow and Saint-Petersburg &#8211;\u00a0Par Anastasiia Kuznetsova<\/li>\n<li>Conference Report: RAM &#8211; An Art Market in Evolution, Geneva, 31 January 2020 &#8211; Geneva, 17 October 2019 &#8211; Par Tristan Weber<\/li>\n<li>Nouvelles suisses en droit de l\u2019art et des biens culturels &#8211; Par Morgane Desboeufs<\/li>\n<\/ul>\n\n            <\/div>\n<div class=\"col-sm-12 bordo margMag\"><\/div>\n            <div class=\"col-sm-2 col-xs-3 hidden-sm text-center-md book-ico\"><img decoding=\"async\" src=\"https:\/\/artlawfoundation.com\/site\/wp-content\/themes\/FDA-\/imgs\/mag.jpg\"><\/div>\n          \t<div class=\"col-md-3 col-sm-4 col-xs-9 profileTxt magTxt\">\n            \t<h3><strong>Art Law Magazine #10<\/strong><\/h3>\n                <div class=\"info\">12.2019<\/div>\n                <p><a href=\"http:\/\/artlawfoundation.com\/membership\/\">S'inscrire pour acc\u00e9der aux publications<\/a><\/p>\n            <\/div>\n<div class=\"col-md-7 col-sm-8 mag-list\">\n\t\t\t\n<ul>\n<li>Running Alone or With Teammates? &#8211; Par Christine Bourron et Matteo Pace<\/li>\n<li>\u00ab\u00a0Art Basel Art Market Principles and Best Principles\u00a0\u00bb: quel degr\u00e9 de due diligence ? &#8211; Par Laura Dabo<\/li>\n<li>R\u00e9vocation d&rsquo;une donation d&rsquo;oeuvre d&rsquo;art : droit moral ou droit commun de la r\u00e9vocation ? &#8211; Par Sarah Lugan et Philippe Reign\u00e9<\/li>\n<li>Street Art &#8211; Developments and Challenges &#8211; Par Rudy Capildeo et David Fyfield<\/li>\n<li>Conference report: The Art of Giving, Art Law and Philanthropy &#8211; Geneva, 17 October 2019 &#8211; Par Nathalie Buck<\/li>\n<li>Conference report: Legal Lab Summit &#8211; London, 1st October 2019 &#8211; Par Alana Kushnir<\/li>\n<\/ul>\n\n            <\/div>\n<div class=\"col-sm-12 bordo margMag\"><\/div>\n            <div class=\"col-sm-2 col-xs-3 hidden-sm text-center-md book-ico\"><img decoding=\"async\" src=\"https:\/\/artlawfoundation.com\/site\/wp-content\/themes\/FDA-\/imgs\/mag.jpg\"><\/div>\n          \t<div class=\"col-md-3 col-sm-4 col-xs-9 profileTxt magTxt\">\n            \t<h3><strong>Art Law Magazine #9<\/strong><\/h3>\n                <div class=\"info\">07.2019<\/div>\n                <p><a href=\"http:\/\/artlawfoundation.com\/membership\/\">S'inscrire pour acc\u00e9der aux publications<\/a><\/p>\n            <\/div>\n<div class=\"col-md-7 col-sm-8 mag-list\">\n\t\t\t\n<ul>\n<li>The Application of Anti-Money Laundering Regulatory Norms to the Art Market, in the United Kingdom and in Switzerland &#8211; Par St\u00e9phanie Junod<\/li>\n<li>Cross-border movement of works of art &#8211; Applicable Thresholds and Practical Considerations in Italy &#8211; Par Giuseppe Calabi<\/li>\n<li>Art Investment Contracts: Application of securities law to art purchases in Belgium &#8211; Par Oliver Lenaerts<\/li>\n<li>Conference report: The Third Responsible Art Market Initiative Conference, Geneva 1st February 2019 &#8211;\u00a0Par Simine Sheybani<\/li>\n<li>Nouvelles suisses en droit de l&rsquo;art et des biens culturels &#8211; Par Morgane Desboeufs<\/li>\n<li>Nouvelles acquisitions de la Biblioth\u00e8que du Centre du droit de l&rsquo;art<\/li>\n<\/ul>\n\n            <\/div>\n<div class=\"col-sm-12 bordo margMag\"><\/div>\n            <div class=\"col-sm-2 col-xs-3 hidden-sm text-center-md book-ico\"><img decoding=\"async\" src=\"https:\/\/artlawfoundation.com\/site\/wp-content\/themes\/FDA-\/imgs\/mag.jpg\"><\/div>\n          \t<div class=\"col-md-3 col-sm-4 col-xs-9 profileTxt magTxt\">\n            \t<h3><strong>Art Law Magazine #8<\/strong><\/h3>\n                <div class=\"info\">12.2018<\/div>\n                <p><a href=\"http:\/\/artlawfoundation.com\/membership\/\">S'inscrire pour acc\u00e9der aux publications<\/a><\/p>\n            <\/div>\n<div class=\"col-md-7 col-sm-8 mag-list\">\n\t\t\t\n<ul>\n<li>Droit d&rsquo;auteur : la pluralit\u00e9 d&rsquo;auteurs d&rsquo;une seule oeuvre &#8211; Par Arnaud Parreaux<\/li>\n<li>Art &amp; Blockchain : Un canevas de la blockchain dans le monde de l&rsquo;art &#8211; Par Gabriel Jaccard et Gabriel Chaix<\/li>\n<li>Recent Russian law outline. Potential impact on the art market &#8211;\u00a0By Yulianna Vertinskaya<\/li>\n<li>Nouvelles suisses en droit de l&rsquo;art et des biens culturels &#8211; Par Morgane Desboeufs<\/li>\n<li>Nouvelles acquisitions de la Biblioth\u00e8que du Centre du droit de l&rsquo;art<\/li>\n<\/ul>\n\n            <\/div>\n<div class=\"col-sm-12 bordo margMag\"><\/div>\n            <div class=\"col-sm-2 col-xs-3 hidden-sm text-center-md book-ico\"><img decoding=\"async\" src=\"https:\/\/artlawfoundation.com\/site\/wp-content\/themes\/FDA-\/imgs\/mag.jpg\"><\/div>\n          \t<div class=\"col-md-3 col-sm-4 col-xs-9 profileTxt magTxt\">\n            \t<h3><strong>Art Law Magazine #7<\/strong><\/h3>\n                <div class=\"info\">05.2018<\/div>\n                <p><a href=\"http:\/\/artlawfoundation.com\/membership\/\">S'inscrire pour acc\u00e9der aux publications<\/a><\/p>\n            <\/div>\n<div class=\"col-md-7 col-sm-8 mag-list\">\n\t\t\t\n<ul>\n<li>L&rsquo;objet d&rsquo;art comme s\u00fbret\u00e9 mobili\u00e8re en droit belge &#8211; Par Leo Peeters et Andrine Like<\/li>\n<li>Conference report: Artworks in movement \/ Transport, Services, Import, Export, Free ports, Geneva, 22 November 2017 &#8211; Par Charles K. Larson<\/li>\n<li>Conference Report: Building an Art Market 2.0 &#8211;\u00a0Par Christel Seurat Johnsson<\/li>\n<li>Nouveaut\u00e9s l\u00e9gislatives suisses \/ New Swiss Legislation<\/li>\n<li>New Publications \/ Nouvelles publications<\/li>\n<li>Acquisitions r\u00e9centes du Centre de documentation du Centre du droit de l&rsquo;art<\/li>\n<\/ul>\n\n            <\/div>\n<div class=\"col-sm-12 bordo margMag\"><\/div>\n            <div class=\"col-sm-2 col-xs-3 hidden-sm text-center-md book-ico\"><img decoding=\"async\" src=\"https:\/\/artlawfoundation.com\/site\/wp-content\/themes\/FDA-\/imgs\/mag.jpg\"><\/div>\n          \t<div class=\"col-md-3 col-sm-4 col-xs-9 profileTxt magTxt\">\n            \t<h3><strong>Art Law Magazine #6<\/strong><\/h3>\n                <div class=\"info\">11.2017<\/div>\n                <p><a href=\"http:\/\/artlawfoundation.com\/membership\/\">S'inscrire pour acc\u00e9der aux publications<\/a><\/p>\n            <\/div>\n<div class=\"col-md-7 col-sm-8 mag-list\">\n\t\t\t\n<ul>\n<li>UK anti-money laundering (AML) regime &#8211; Par Pierre Valentin and Yulia Tosheva<\/li>\n<li>Un accord bilat\u00e9ral Suisse-Turquie aurait-il facilit\u00e9 la restitution du sarcophage romain ? &#8211; Par Ece Velioglu-Yildizci<\/li>\n<li>Blockchain and the Art Market &#8211;\u00a0Par Anh-Thu Pardo-Thai<\/li>\n<li>Exporting an artwork from the United Kingdom to Switzerland &#8211; Par Petra Warrington<\/li>\n<li>Nouvelles acquisitions de la Biblioth\u00e8que du Centre du droit de l&rsquo;art<\/li>\n<\/ul>\n\n            <\/div>\n<div class=\"col-sm-12 bordo margMag\"><\/div>\n            <div class=\"col-sm-2 col-xs-3 hidden-sm text-center-md book-ico\"><img decoding=\"async\" src=\"https:\/\/artlawfoundation.com\/site\/wp-content\/themes\/FDA-\/imgs\/mag.jpg\"><\/div>\n          \t<div class=\"col-md-3 col-sm-4 col-xs-9 profileTxt magTxt\">\n            \t<h3><strong>Art Law Magazine #5<\/strong><\/h3>\n                <div class=\"info\">05.2017<\/div>\n                <p><a href=\"http:\/\/artlawfoundation.com\/membership\/\">S'inscrire pour acc\u00e9der aux publications<\/a><\/p>\n            <\/div>\n<div class=\"col-md-7 col-sm-8 mag-list\">\n\t\t\t\n<ul>\n<li>L&rsquo;affaire de l&rsquo;artiste urbain Blu : s&rsquo;agit-il d&rsquo;une violation du droit d&rsquo;auteur ? &#8211; Par Lavinia Savini<\/li>\n<li>Le but constitutif des fondations de collections d&rsquo;art \u00e0 l&rsquo;\u00e9preuve du temps. L&rsquo;exemple de la Fondation Oskar Reinhart \u00e0 Winterthur &#8211;\u00a0Par J\u00e9r\u00f4me Candrian<\/li>\n<li>Conference Report: Building an art market for the future: Guidelines for Countering Money Laundering and Terrorist Financing Threats &#8211;\u00a0Par Rosanne Mc Donnell<\/li>\n<li>Nouvelles acquisitions de la Biblioth\u00e8que du Centre du droit de l&rsquo;art<\/li>\n<\/ul>\n\n            <\/div>\n<div class=\"col-sm-12 bordo margMag\"><\/div>\n            <div class=\"col-sm-2 col-xs-3 hidden-sm text-center-md book-ico\"><img decoding=\"async\" src=\"https:\/\/artlawfoundation.com\/site\/wp-content\/themes\/FDA-\/imgs\/mag.jpg\"><\/div>\n          \t<div class=\"col-md-3 col-sm-4 col-xs-9 profileTxt magTxt\">\n            \t<h3><strong>Art Law Magazine #4<\/strong><\/h3>\n                <div class=\"info\">12.2016<\/div>\n                <p><a href=\"http:\/\/artlawfoundation.com\/membership\/\">S'inscrire pour acc\u00e9der aux publications<\/a><\/p>\n            <\/div>\n<div class=\"col-md-7 col-sm-8 mag-list\">\n\t\t\t\n<ul>\n<li>Case Note: Gift or theft? Picasso et al. vs Pierre and Danielle L. &#8211; Par Anne-Sophie Nardon<\/li>\n<li>L&rsquo;expert en oeuvres et objets d&rsquo;art: des comp\u00e9tences reconnues, mais un m\u00e9tier \u00e0 risques &#8211; Par Karine d&rsquo;Oria<\/li>\n<li>Patronage of Swiss or foreign cultural institutions \u2013 Which tax treatment applies? &#8211; Par Julie Wynne<\/li>\n<li>France : une nouvelle r\u00e9mun\u00e9ration pour le r\u00e9f\u00e9rencement d\u2019\u0153uvres d\u2019art plastiques, graphiques ou photographiques &#8211; Par Philippe Mouron<\/li>\n<li>Rapport de conf\u00e9rence : Risques, r\u00e8gles et opportunit\u00e9s dans les investissements en art, Paris, 12 f\u00e9vrier 2016 &#8211; Par Tib\u00e9riade Allibert, Ars\u00e8ne Boutemy, Adriana Bustamante, Myriam Chair<\/li>\n<li>Conference report: Kunst &amp; Recht \/ Art &amp; Law 2016, Art Basel, 17 June 2016 &#8211; Par Niklaus Glatthard<\/li>\n<li>News suisses \/ Swiss News<\/li>\n<li>Nouveaut\u00e9s l\u00e9gislatives suisses \/ New Swiss Legislation<\/li>\n<li>Acquisitions r\u00e9centes du Centre de documentation du Centre du droit de l\u2019art<\/li>\n<\/ul>\n\n            <\/div>\n<div class=\"col-sm-12 bordo margMag\"><\/div>\n            <div class=\"col-sm-2 col-xs-3 hidden-sm text-center-md book-ico\"><img decoding=\"async\" src=\"https:\/\/artlawfoundation.com\/site\/wp-content\/themes\/FDA-\/imgs\/mag.jpg\"><\/div>\n          \t<div class=\"col-md-3 col-sm-4 col-xs-9 profileTxt magTxt\">\n            \t<h3><strong>Art Law Magazine #3<\/strong><\/h3>\n                <div class=\"info\">05.2016<\/div>\n                <p><a href=\"http:\/\/artlawfoundation.com\/membership\/\">S'inscrire pour acc\u00e9der aux publications<\/a><\/p>\n            <\/div>\n<div class=\"col-md-7 col-sm-8 mag-list\">\n\t\t\t\n<ul>\n<li>Modernisation du droit d\u2019auteur : quels changements pour le droit de l\u2019art ? &#8211; Par Melina Haralabopoulos<\/li>\n<li>Do we need a new authentication authority in Europe? &#8211; Par Florence Bakri Lerer<\/li>\n<li>\u0152uvres d\u2019art confi\u00e9es : v\u00e9rifiez votre assurance et ses clauses d\u2019exclusion- Par Christian de Preux<\/li>\n<li>La fiscalit\u00e9 fran\u00e7aise et le collectionneur &#8211; Par Oph\u00e9lie Dantil<\/li>\n<li>The Reform Proposal of the Italian Code on Cultural Property &#8211; Par Dario Jucker<\/li>\n<li>Annulation d\u2019un engagement de vente aux ench\u00e8res \u2013 attention aux clauses contractuelles \/ Commentaire de l\u2019arr\u00eat du Tribunal F\u00e9d\u00e9ral 4A_412\/2015 &#8211; Par Dr. Anne Laure Bandle<\/li>\n<li>Attention all Art Buffs; two recent cases explore the ownership of street art and sculptures &#8211; Par Lauren McQue<\/li>\n<li>Rapport de conf\u00e9rence : \u00ab Le blanchiment d\u2019argent dans le march\u00e9 de l\u2019art : une r\u00e9alit\u00e9 ? \u00bb &#8211; Par Deborah Lechtman<\/li>\n<li>News suisses\/Swiss News<\/li>\n<li>Nouveaut\u00e9s l\u00e9gislatives suisses\/New Swiss Legislation<\/li>\n<\/ul>\n\n            <\/div>\n<div class=\"col-sm-12 bordo margMag\"><\/div>\n            <div class=\"col-sm-2 col-xs-3 hidden-sm text-center-md book-ico\"><img decoding=\"async\" src=\"https:\/\/artlawfoundation.com\/site\/wp-content\/themes\/FDA-\/imgs\/mag.jpg\"><\/div>\n          \t<div class=\"col-md-3 col-sm-4 col-xs-9 profileTxt magTxt\">\n            \t<h3><strong>Art Law Magazine #2<\/strong><\/h3>\n                <div class=\"info\">12.2015<\/div>\n                <p><a href=\"http:\/\/artlawfoundation.com\/membership\/\">S'inscrire pour acc\u00e9der aux publications<\/a><\/p>\n            <\/div>\n<div class=\"col-md-7 col-sm-8 mag-list\">\n\t\t\t\n<ul>\n<li>Conference report: The role of artists&rsquo; foundations in the art market, 21 mai 2015, Arts Club, Londres &#8211; Par Dr. Anne Laure Bandle<\/li>\n<li>Les ports francs: Une zone de non droit ? &#8211; Par Prof. Xavier Oberson<\/li>\n<li>Mus\u00e9es num\u00e9riques et droit d&rsquo;auteur &#8211; Par Dr. Yaniv Benhamou<\/li>\n<li>Fractional Interests in Focus for US Estate Planning and Tax Considerations &#8211; Par Nicholas M. O&rsquo;Donnell<\/li>\n<li>Protection des biens culturels : entre progr\u00e8s et d\u00e9gradation &#8211; Rapport sur deux conf\u00e9rences tenues r\u00e9cemment \u00e0 Berne &#8211; Par Charles Boudry<\/li>\n<li>Conference report: Kunst &amp; Recht \/ Art &amp; Law 2015 &#8211; Par Niklaus Glatthard<\/li>\n<\/ul>\n\n            <\/div>\n<div class=\"col-sm-12 bordo margMag\"><\/div>\n            <div class=\"col-sm-2 col-xs-3 hidden-sm text-center-md book-ico\"><img decoding=\"async\" src=\"https:\/\/artlawfoundation.com\/site\/wp-content\/themes\/FDA-\/imgs\/mag.jpg\"><\/div>\n          \t<div class=\"col-md-3 col-sm-4 col-xs-9 profileTxt magTxt\">\n            \t<h3><strong>Art Law Magazine #1<\/strong><\/h3>\n                <div class=\"info\">cahier sp\u00e9cial: art finance &amp; law \/ 08.2015<\/div>\n                <p><a href=\"http:\/\/artlawfoundation.com\/membership\/\">S'inscrire pour acc\u00e9der aux publications<\/a><\/p>\n            <\/div>\n<div class=\"col-md-7 col-sm-8 mag-list\">\n\t\t\t\n<ul>\n<li>Conference report: Risks, Rules and Opportunities in Art Investments du 26 novembre 2014, Londres &#8211; Par Joerg Wuenschel<\/li>\n<li>Rapport de la conf\u00e9rence: Risques, r\u00e8gles et opportunit\u00e9s dans les investissements en art du 26 janvier 2015, Gen\u00e8ve &#8211; Par M\u00e9lanie Crea-Cina<\/li>\n<\/ul>\n\n            <\/div>\n<div class=\"col-sm-12 bordo margMag\"><\/div>\n            <div class=\"col-sm-2 col-xs-3 hidden-sm text-center-md book-ico\"><img decoding=\"async\" src=\"https:\/\/artlawfoundation.com\/site\/wp-content\/themes\/FDA-\/imgs\/mag.jpg\"><\/div>\n          \t<div class=\"col-md-3 col-sm-4 col-xs-9 profileTxt magTxt\">\n            \t<h3><strong>newsletter N\u00b029<\/strong><\/h3>\n                <div class=\"info\">avril 2015<\/div>\n                <p><a href=\"http:\/\/artlawfoundation.com\/membership\/\">S'inscrire pour acc\u00e9der aux publications<\/a><\/p>\n            <\/div><div class=\"col-md-7 col-sm-8 mag-list\">\n\t\t\t\n<ul>\n<li>Cr\u00e9ation d\u2019une base de donn\u00e9es unique europ\u00e9enne sur les oeuvres orphelines<\/li>\n<li>Succession de Margret Kainer \u2013 Quel devoir de diligence dans l\u2019identification d\u2019h\u00e9ritiers de juifs spoli\u00e9s?<\/li>\n<li>ArtAssure Ltd., LLC v. Artmentum GmbH \u2013 No US Jurisdiction<\/li>\n<li>Rodin Plasters<\/li>\n<li>Affaire Gurlitt<\/li>\n<li>Restitution d\u2019une statue en terre cuite de la dynastie Han \u00e0 la Chine<\/li>\n<li>Saisie \u00e0 Lugano du portrait d\u2019Isabella d\u2019Este qui pourrait \u00eatre attribu\u00e9 \u00e0 L\u00e9onard da Vinci<\/li>\n<li>Entr\u00e9e en vigueur de la r\u00e9vision totale de la LPBC<\/li>\n<li>Sanctions \u00e0 l\u2019encontre de la Syrie: interdiction de faire commerce de biens culturels vol\u00e9s<\/li>\n<li>La Suisse pr\u00e9sente son premier rapport sur le patrimoine culturel immat\u00e9riel<\/li>\n<\/ul>\n\n            <\/div>\n<div class=\"col-sm-12 bordo margMag\"><\/div>\n            <div class=\"col-sm-2 col-xs-3 hidden-sm text-center-md book-ico\"><img decoding=\"async\" src=\"https:\/\/artlawfoundation.com\/site\/wp-content\/themes\/FDA-\/imgs\/mag.jpg\"><\/div>\n          \t<div class=\"col-md-3 col-sm-4 col-xs-9 profileTxt magTxt\">\n            \t<h3><strong>newsletter N\u00b028<\/strong><\/h3>\n                <div class=\"info\">juillet 2014<\/div>\n                <p><a href=\"http:\/\/artlawfoundation.com\/membership\/\">S'inscrire pour acc\u00e9der aux publications<\/a><\/p>\n            <\/div><div class=\"col-md-7 col-sm-8 mag-list\">\n\t\t\t\n<ul class=\"type1\">\n<li>De la protection de l\u2019anonymat des vendeurs et fournisseurs lors de ventes aux ench\u00e8res: jugement de la Cour d\u2019appel de New York du 17 d\u00e9cembre 2013<\/li>\n<li>Une clause de confidentialit\u00e9 rompue lors de la vente aux ench\u00e8res publiques d\u2019un tableau de Rothko<\/li>\n<li>R\u00e9vision de la Loi f\u00e9d\u00e9rale sur la protection des biens culturels en cas de conflits arm\u00e9s<\/li>\n<li>Entr\u00e9e en vigueur de l\u2019Accord entre la Suisse et la R\u00e9publique de Chypre concernant l\u2019importation et le retour de biens culturels<\/li>\n<li>Le Conseil f\u00e9d\u00e9ral adopte l\u2019Ordonnance sur l\u2019inventaire f\u00e9d\u00e9ral des biens culturels appartenant \u00e0 la Conf\u00e9d\u00e9ration<\/li>\n<\/ul>\n\n            <\/div>\n<div class=\"col-sm-12 bordo margMag\"><\/div>\n            <div class=\"col-sm-2 col-xs-3 hidden-sm text-center-md book-ico\"><img decoding=\"async\" src=\"https:\/\/artlawfoundation.com\/site\/wp-content\/themes\/FDA-\/imgs\/mag.jpg\"><\/div>\n          \t<div class=\"col-md-3 col-sm-4 col-xs-9 profileTxt magTxt\">\n            \t<h3><strong>newsletter N\u00b027<\/strong><\/h3>\n                <div class=\"info\">f\u00e9vrier 2014<\/div>\n                <p><a href=\"http:\/\/artlawfoundation.com\/membership\/\">S'inscrire pour acc\u00e9der aux publications<\/a><\/p>\n            <\/div><div class=\"col-md-7 col-sm-8 mag-list\">\n\t\t\t\n<ul class=\"type1\">\n<li>De la bonne foi de l\u2019acqu\u00e9reur d\u2019un tableau vol\u00e9 et de la l\u00e9gitimation du possesseur ant\u00e9rieur (ATF 139 III 305)<\/li>\n<li>De l\u2019attribution d\u2019un tableau lors d\u2019un partage successoral (Arr\u00eat du Tribunal f\u00e9d\u00e9ral du 23 octobre 2013, dans la cause 5A_337\/2013)<\/li>\n<li>Affaire Varone: l\u2019OFC rectifie<\/li>\n<\/ul>\n\n            <\/div>\n<div class=\"col-sm-12 bordo margMag\"><\/div>\n            <div class=\"col-sm-2 col-xs-3 hidden-sm text-center-md book-ico\"><img decoding=\"async\" src=\"https:\/\/artlawfoundation.com\/site\/wp-content\/themes\/FDA-\/imgs\/mag.jpg\"><\/div>\n          \t<div class=\"col-md-3 col-sm-4 col-xs-9 profileTxt magTxt\">\n            \t<h3><strong>newsletter N\u00b026<\/strong><\/h3>\n                <div class=\"info\">ao\u00fbt 2013<\/div>\n                <p><a href=\"http:\/\/artlawfoundation.com\/membership\/\">S'inscrire pour acc\u00e9der aux publications<\/a><\/p>\n            <\/div><div class=\"col-md-7 col-sm-8 mag-list\">\n\t\t\t\n<ul class=\"type1\">\n<li>Affaire CARIOU c\/ PRINCE: Un artiste peut-il s\u2019approprier l\u2019oeuvre cr\u00e9\u00e9e par un autre?<\/li>\n<li>Affaire Christian VARONE: Exportation illicite et importation de bien culturels<\/li>\n<\/ul>\n\n            <\/div>\n<div class=\"col-sm-12 bordo margMag\"><\/div>\n            <div class=\"col-sm-2 col-xs-3 hidden-sm text-center-md book-ico\"><img decoding=\"async\" src=\"https:\/\/artlawfoundation.com\/site\/wp-content\/themes\/FDA-\/imgs\/mag.jpg\"><\/div>\n          \t<div class=\"col-md-3 col-sm-4 col-xs-9 profileTxt magTxt\">\n            \t<h3><strong>newsletter N\u00b025<\/strong><\/h3>\n                <div class=\"info\">mars 2013<\/div>\n                <p><a href=\"http:\/\/artlawfoundation.com\/membership\/\">S'inscrire pour acc\u00e9der aux publications<\/a><\/p>\n            <\/div><div class=\"col-md-7 col-sm-8 mag-list\">\n\t\t\t\n<ul class=\"type1\">\n<li>Convention de l\u2019UNESCO concernant la protection du patrimoine mondial culturel et naturel, quelle application en Suisse?<\/li>\n<li>Assujettissement \u00e0 la TVA des collectionneurs d\u2019art<\/li>\n<\/ul>\n\n            <\/div>\n<div class=\"col-sm-12 bordo margMag\"><\/div>\n            <div class=\"col-sm-2 col-xs-3 hidden-sm text-center-md book-ico\"><img decoding=\"async\" src=\"https:\/\/artlawfoundation.com\/site\/wp-content\/themes\/FDA-\/imgs\/mag.jpg\"><\/div>\n          \t<div class=\"col-md-3 col-sm-4 col-xs-9 profileTxt magTxt\">\n            \t<h3><strong>newsletter N\u00b024<\/strong><\/h3>\n                <div class=\"info\">d\u00e9cembre 2012<\/div>\n                <p><a href=\"http:\/\/artlawfoundation.com\/membership\/\">S'inscrire pour acc\u00e9der aux publications<\/a><\/p>\n            <\/div><div class=\"col-md-7 col-sm-8 mag-list\">\n\t\t\t\n<ul class=\"type1\">\n<li>Oeuvres d\u2019art spoli\u00e9es par les nazis \u2013 de nouveaux moyens de revendication pour les victimes ?<\/li>\n<li>Les collections d\u2019art \u00e9chappent \u00e0 la taxation<\/li>\n<li>Imposition de la plus-value provenant de la r\u00e9alisation d&rsquo;oeuvres d\u2019art<\/li>\n<\/ul>\n\n            <\/div>\n<div class=\"col-sm-12 bordo margMag\"><\/div>\n            <div class=\"col-sm-2 col-xs-3 hidden-sm text-center-md book-ico\"><img decoding=\"async\" src=\"https:\/\/artlawfoundation.com\/site\/wp-content\/themes\/FDA-\/imgs\/mag.jpg\"><\/div>\n          \t<div class=\"col-md-3 col-sm-4 col-xs-9 profileTxt magTxt\">\n            \t<h3><strong>newsletter N\u00b023<\/strong><\/h3>\n                <div class=\"info\">j\u00e9vrier 2012<\/div>\n                <p><a href=\"http:\/\/artlawfoundation.com\/membership\/\">S'inscrire pour acc\u00e9der aux publications<\/a><\/p>\n            <\/div><div class=\"col-md-7 col-sm-8 mag-list\">\n\t\t\t\n<ul class=\"type1\">\n<li>De l\u2019exon\u00e9ration des oeuvres d\u2019art de l\u2019imp\u00f4t sur la fortune<\/li>\n<li>De l\u2019introduction d\u2019un droit de suite aux Etats-Unis et en Suisse ?<\/li>\n<\/ul>\n\n            <\/div>\n<div class=\"col-sm-12 bordo margMag\"><\/div>\n            <div class=\"col-sm-2 col-xs-3 hidden-sm text-center-md book-ico\"><img decoding=\"async\" src=\"https:\/\/artlawfoundation.com\/site\/wp-content\/themes\/FDA-\/imgs\/mag.jpg\"><\/div>\n          \t<div class=\"col-md-3 col-sm-4 col-xs-9 profileTxt magTxt\">\n            \t<h3><strong>newsletter N\u00b022<\/strong><\/h3>\n                <div class=\"info\">septembre 2011<\/div>\n                <p><a href=\"http:\/\/artlawfoundation.com\/membership\/\">S'inscrire pour acc\u00e9der aux publications<\/a><\/p>\n            <\/div><div class=\"col-md-7 col-sm-8 mag-list\">\n\t\t\t\n<ul class=\"type1\">\n<li>Colloque international vendredi 11 novembre 2011<\/li>\n<li>M\u00e9diation ICOM-OMPI en Art et Patrimoine Culturel<\/li>\n<li>L\u2019Allemagne s\u2019appr\u00eate \u00e0 restituer le Sphinx de Bo\u011fazk\u00f6y \u00e0 la Turquie<\/li>\n<li>Le \u00ab Jeune Victorieux \u00bb entre l\u2019Italie et le Mus\u00e9e J. Paul Getty<\/li>\n<li>De l\u2019autorisation de ventes volontaires aux ench\u00e8res publiques<br \/>\narr\u00eat du Tribunal f\u00e9d\u00e9ral du 31 mai 2011 (cause 2C_975\/2010 non destin\u00e9e \u00e0 la publication)<\/li>\n<\/ul>\n\n            <\/div>\n<div class=\"col-sm-12 bordo margMag\"><\/div>\n            <div class=\"col-sm-2 col-xs-3 hidden-sm text-center-md book-ico\"><img decoding=\"async\" src=\"https:\/\/artlawfoundation.com\/site\/wp-content\/themes\/FDA-\/imgs\/mag.jpg\"><\/div>\n          \t<div class=\"col-md-3 col-sm-4 col-xs-9 profileTxt magTxt\">\n            \t<h3><strong>newsletter N\u00b021<\/strong><\/h3>\n                <div class=\"info\">f\u00e9vrier 2011<\/div>\n                <p><a href=\"http:\/\/artlawfoundation.com\/membership\/\">S'inscrire pour acc\u00e9der aux publications<\/a><\/p>\n            <\/div><div class=\"col-md-7 col-sm-8 mag-list\">\n\t\t\t\n<ul class=\"type1\">\n<li>Caract\u00e9ristiques du droit d\u2019auteur<br \/>\nArr\u00eat du Tribunal f\u00e9d\u00e9ral du 1er avril 2010, cause 4A_638\/2009, publi\u00e9 partiellement in ATF 136 III 225<\/li>\n<li>Libert\u00e9 de l\u2019art et libert\u00e9 d\u2019expression de l\u2019artiste<br \/>\nArr\u00eat du Tribunal f\u00e9d\u00e9ral du 8 d\u00e9cembre 2010, cause 1C_312\/2010, non destin\u00e9 \u00e0 publication.<\/li>\n<li>Colloque sur la restitution des restes humains<\/li>\n<\/ul>\n\n            <\/div>\n<div class=\"col-sm-12 bordo margMag\"><\/div>\n            <div class=\"col-sm-2 col-xs-3 hidden-sm text-center-md book-ico\"><img decoding=\"async\" src=\"https:\/\/artlawfoundation.com\/site\/wp-content\/themes\/FDA-\/imgs\/mag.jpg\"><\/div>\n          \t<div class=\"col-md-3 col-sm-4 col-xs-9 profileTxt magTxt\">\n            \t<h3><strong>newsletter N\u00b020<\/strong><\/h3>\n                <div class=\"info\">mai 2010<\/div>\n                <p><a href=\"http:\/\/artlawfoundation.com\/membership\/\">S'inscrire pour acc\u00e9der aux publications<\/a><\/p>\n            <\/div><div class=\"col-md-7 col-sm-8 mag-list\">\n\t\t\t\n<ul class=\"type1\">\n<li>Imposition de plus-value provenant de la r\u00e9alisation d\u2019une partie d\u2019une collection personnelle d\u2019affiches.<\/li>\n<li>Protection de la personnalit\u00e9 et libert\u00e9 de l\u2019art.<\/li>\n<li>La nouvelle loi f\u00e9d\u00e9rale sur les mus\u00e9es et les collections de la Conf\u00e9d\u00e9ration<\/li>\n<li>Jurisprudence \u00e9trang\u00e8re : la France confirme le principe de la lex rei sitae en droit international priv\u00e9.<\/li>\n<\/ul>\n\n            <\/div>\n<div class=\"col-sm-12 bordo margMag\"><\/div>\n            <div class=\"col-sm-2 col-xs-3 hidden-sm text-center-md book-ico\"><img decoding=\"async\" src=\"https:\/\/artlawfoundation.com\/site\/wp-content\/themes\/FDA-\/imgs\/mag.jpg\"><\/div>\n          \t<div class=\"col-md-3 col-sm-4 col-xs-9 profileTxt magTxt\">\n            \t<h3><strong>newsletter N\u00b019<\/strong><\/h3>\n                <div class=\"info\">novembre 2009<\/div>\n                <p><a href=\"http:\/\/artlawfoundation.com\/membership\/\">S'inscrire pour acc\u00e9der aux publications<\/a><\/p>\n            <\/div><div class=\"col-md-7 col-sm-8 mag-list\">\n\t\t\t\n<ul class=\"type1\">\n<li>Adoption de la D\u00e9claration de Terezin sur \u00ab Holocaust Era Assets and Related Issues \u00bb.<\/li>\n<li>D\u00e9cision du Mus\u00e9e de La-Chaux-de-Fonds de ne pas restituer un tableau de CONSTABLE, annonc\u00e9e le 9 septembre 2009.<\/li>\n<li>Arr\u00eat du Tribunal f\u00e9d\u00e9ral du 19 janvier 2009 (Cause 5A 705\/2008) sur la r\u00e9alisation forc\u00e9e d\u2019un tableau de VAN GOGH .<\/li>\n<li>Saisie des tableaux du Mus\u00e9e national des beaux-arts Pouchkine de Moscou : suite et fin .<\/li>\n<li>De la preuve de la valeur d\u2019un tableau disparu: arr\u00eat du Tribunal f\u00e9d\u00e9ral du 8 septembre 2009 (cause 4 A_154\/2009)<\/li>\n<\/ul>\n\n            <\/div>\n<div class=\"col-sm-12 bordo margMag\"><\/div>\n            <div class=\"col-sm-2 col-xs-3 hidden-sm text-center-md book-ico\"><img decoding=\"async\" src=\"https:\/\/artlawfoundation.com\/site\/wp-content\/themes\/FDA-\/imgs\/mag.jpg\"><\/div>\n          \t<div class=\"col-md-3 col-sm-4 col-xs-9 profileTxt magTxt\">\n            \t<h3><strong>newsletter N\u00b018<\/strong><\/h3>\n                <div class=\"info\">juin 2009<\/div>\n                <p><a href=\"http:\/\/artlawfoundation.com\/membership\/\">S'inscrire pour acc\u00e9der aux publications<\/a><\/p>\n            <\/div><div class=\"col-md-7 col-sm-8 mag-list\">\n\t\t\t\n<ul class=\"type1\">\n<li>L&rsquo;arr\u00eat Government of the Islamic Republic of Iran v. The Barakat Gallery Limited (Court of Appeal, 21 d\u00e9cembre 2007).<\/li>\n<li>L&rsquo;arr\u00eat Bakalar v. Vavra and Fischer (District Court de New York, 2 septembre 2008).<\/li>\n<li>Arr\u00eat du Tribunal administratif f\u00e9d\u00e9ral du 18 octobre 2008 (B-1366\/2008).<\/li>\n<\/ul>\n\n            <\/div>\n<div class=\"col-sm-12 bordo margMag\"><\/div>\n            <div class=\"col-sm-2 col-xs-3 hidden-sm text-center-md book-ico\"><img decoding=\"async\" src=\"https:\/\/artlawfoundation.com\/site\/wp-content\/themes\/FDA-\/imgs\/mag.jpg\"><\/div>\n          \t<div class=\"col-md-3 col-sm-4 col-xs-9 profileTxt magTxt\">\n            \t<h3><strong>newsletter N\u00b017<\/strong><\/h3>\n                <div class=\"info\">octobre 2008<\/div>\n                <p><a href=\"http:\/\/artlawfoundation.com\/membership\/\">S'inscrire pour acc\u00e9der aux publications<\/a><\/p>\n            <\/div><div class=\"col-md-7 col-sm-8 mag-list\">\n\t\t\t\n<ul class=\"type1\">\n<li>Entr\u00e9e en vigueur de l\u2019accord bilat\u00e9ral entre la Suisse et l\u2019Italie le 27 avril 2008.<\/li>\n<li>Jurisprudence r\u00e9cente au Royaume-Uni et aux Etats-Unis.<\/li>\n<li>Arr\u00eat genevois de la Cour de justice du 22 f\u00e9vrier 2008 (ACJC\/230\/2008)<\/li>\n<\/ul>\n\n            <\/div>\n<div class=\"col-sm-12 bordo margMag\"><\/div>\n            <div class=\"col-sm-2 col-xs-3 hidden-sm text-center-md book-ico\"><img decoding=\"async\" src=\"https:\/\/artlawfoundation.com\/site\/wp-content\/themes\/FDA-\/imgs\/mag.jpg\"><\/div>\n          \t<div class=\"col-md-3 col-sm-4 col-xs-9 profileTxt magTxt\">\n            \t<h3><strong>newsletter N\u00b016<\/strong><\/h3>\n                <div class=\"info\">F\u00e9vrier 2008<\/div>\n                <p><a href=\"http:\/\/artlawfoundation.com\/membership\/\">S'inscrire pour acc\u00e9der aux publications<\/a><\/p>\n            <\/div><div class=\"col-md-7 col-sm-8 mag-list\">\n\t\t\t\n<ul class=\"type1\">\n<li>Signature par la Suisse d\u2019accords bilat\u00e9raux en mati\u00e8re de biens culturels avec l\u2019Italie, le P\u00e9rou et la Gr\u00e8ce.<\/li>\n<li>Le Tribunal f\u00e9d\u00e9ral d\u00e9finit la notion du commerce d\u2019objets d\u2019art et d\u2019antiquit\u00e9s dans le contexte fiscal (TVA).<\/li>\n<\/ul>\n\n            <\/div>\n<div class=\"col-sm-12 bordo margMag\"><\/div>\n            <div class=\"col-sm-2 col-xs-3 hidden-sm text-center-md book-ico\"><img decoding=\"async\" src=\"https:\/\/artlawfoundation.com\/site\/wp-content\/themes\/FDA-\/imgs\/mag.jpg\"><\/div>\n          \t<div class=\"col-md-3 col-sm-4 col-xs-9 profileTxt magTxt\">\n            \t<h3><strong>newsletter N\u00b015<\/strong><\/h3>\n                <div class=\"info\">Septembre 2007<\/div>\n                <p><a href=\"http:\/\/artlawfoundation.com\/membership\/\">S'inscrire pour acc\u00e9der aux publications<\/a><\/p>\n            <\/div><div class=\"col-md-7 col-sm-8 mag-list\">\n\t\t\t\n<ul class=\"type1\">\n<li>Entr\u00e9e en vigueur prochaine de l\u2019accord bilat\u00e9ral entre la Suisse et l\u2019Italie?<\/li>\n<li>Ratification par la Gr\u00e8ce de la Convention d\u2019Unidroit de 1995 sur les biens culturels vol\u00e9s ou illicitement export\u00e9s.<\/li>\n<li>Le Tribunal f\u00e9d\u00e9ral reste restrictif quant \u00e0 la possibilit\u00e9 de r\u00e9voquer une donation faite \u00e0 un Mus\u00e9e (arr\u00eat du Tribunal f\u00e9d\u00e9ral du 30 mai 2007).<\/li>\n<\/ul>\n\n            <\/div>\n<div class=\"col-sm-12 bordo margMag\"><\/div>\n            <div class=\"col-sm-2 col-xs-3 hidden-sm text-center-md book-ico\"><img decoding=\"async\" src=\"https:\/\/artlawfoundation.com\/site\/wp-content\/themes\/FDA-\/imgs\/mag.jpg\"><\/div>\n          \t<div class=\"col-md-3 col-sm-4 col-xs-9 profileTxt magTxt\">\n            \t<h3><strong>newsletter N\u00b014<\/strong><\/h3>\n                <div class=\"info\">Janvier 2007<\/div>\n                <p><a href=\"http:\/\/artlawfoundation.com\/membership\/\">S'inscrire pour acc\u00e9der aux publications<\/a><\/p>\n            <\/div><div class=\"col-md-7 col-sm-8 mag-list\">\n\t\t\t\n<ul class=\"type1\">\n<li>Deux accords bilat\u00e9raux annonc\u00e9s avec l\u2019Italie et le P\u00e9rou en application de la LTBC.<\/li>\n<li>La Cour de Cassation fran\u00e7aise rejette une demande de restitution faite par la R\u00e9publique f\u00e9d\u00e9rale du Nigeria et fond\u00e9e sur la Convention de l\u2019UNESCO de 1970<\/li>\n<\/ul>\n\n            <\/div>\n<div class=\"col-sm-12 bordo margMag\"><\/div>\n            <div class=\"col-sm-2 col-xs-3 hidden-sm text-center-md book-ico\"><img decoding=\"async\" src=\"https:\/\/artlawfoundation.com\/site\/wp-content\/themes\/FDA-\/imgs\/mag.jpg\"><\/div>\n          \t<div class=\"col-md-3 col-sm-4 col-xs-9 profileTxt magTxt\">\n            \t<h3><strong>newsletter N\u00b013<\/strong><\/h3>\n                <div class=\"info\">Juin 2006<\/div>\n                <p><a href=\"http:\/\/artlawfoundation.com\/membership\/\">S'inscrire pour acc\u00e9der aux publications<\/a><\/p>\n            <\/div><div class=\"col-md-7 col-sm-8 mag-list\">\n\t\t\t\n<ul class=\"type1\">\n<li>M\u00e9diation entre Saint-Gall et Zurich sur les biens culturels saisis en 1712<\/li>\n<li>L\u2019arbitrage dans l\u2019affaire Altmann c. Autriche (6 tableaux de Klimt)<\/li>\n<\/ul>\n\n            <\/div>\n<div class=\"col-sm-12 bordo margMag\"><\/div>\n            <div class=\"col-sm-2 col-xs-3 hidden-sm text-center-md book-ico\"><img decoding=\"async\" src=\"https:\/\/artlawfoundation.com\/site\/wp-content\/themes\/FDA-\/imgs\/mag.jpg\"><\/div>\n          \t<div class=\"col-md-3 col-sm-4 col-xs-9 profileTxt magTxt\">\n            \t<h3><strong>newsletter N\u00b012<\/strong><\/h3>\n                <div class=\"info\">Novembre 2005<\/div>\n                <p><a href=\"http:\/\/artlawfoundation.com\/membership\/\">S'inscrire pour acc\u00e9der aux publications<\/a><\/p>\n            <\/div><div class=\"col-md-7 col-sm-8 mag-list\">\n\t\t\t\n<ul class=\"type1\">\n<li>Mise en oeuvre de la LTBC<\/li>\n<li>A quelles conditions la mise en gage de biens culturels pour garantir un emprunt bancaire est elle valable ? Une r\u00e9cente jurisprudence du Tribunal f\u00e9d\u00e9ral traite des grands principes en la mati\u00e8re.<\/li>\n<\/ul>\n\n            <\/div>\n<div class=\"col-sm-12 bordo margMag\"><\/div>\n            <div class=\"col-sm-2 col-xs-3 hidden-sm text-center-md book-ico\"><img decoding=\"async\" src=\"https:\/\/artlawfoundation.com\/site\/wp-content\/themes\/FDA-\/imgs\/mag.jpg\"><\/div>\n          \t<div class=\"col-md-3 col-sm-4 col-xs-9 profileTxt magTxt\">\n            \t<h3><strong>newsletter N\u00b011<\/strong><\/h3>\n                <div class=\"info\">Avril 2005<\/div>\n                <p><a href=\"http:\/\/artlawfoundation.com\/membership\/\">S'inscrire pour acc\u00e9der aux publications<\/a><\/p>\n            <\/div><div class=\"col-md-7 col-sm-8 mag-list\">\n\t\t\t\n<ul class=\"type1\">\n<li>Entr\u00e9e en vigueur le 1er juin 2005 de la Loi f\u00e9d\u00e9rale sur le transfert international des biens culturels (LTBC) et de son ordonnance d\u2019application (OTBC).<\/li>\n<li>Mise en consultation de modifications de la Loi f\u00e9d\u00e9rale sur le blanchiment d\u2019argent \u2013 impact pour le march\u00e9 de l\u2019art.<\/li>\n<\/ul>\n\n            <\/div>\n<div class=\"col-sm-12 bordo margMag\"><\/div>\n            <div class=\"col-sm-2 col-xs-3 hidden-sm text-center-md book-ico\"><img decoding=\"async\" src=\"https:\/\/artlawfoundation.com\/site\/wp-content\/themes\/FDA-\/imgs\/mag.jpg\"><\/div>\n          \t<div class=\"col-md-3 col-sm-4 col-xs-9 profileTxt magTxt\">\n            \t<h3><strong>newsletter N\u00b010<\/strong><\/h3>\n                <div class=\"info\">Septembre 2004<\/div>\n                <p><a href=\"http:\/\/artlawfoundation.com\/membership\/\">S'inscrire pour acc\u00e9der aux publications<\/a><\/p>\n            <\/div><div class=\"col-md-7 col-sm-8 mag-list\">\n\t\t\t\n<ul class=\"type1\">\n<li>Mise en consultation de l&rsquo;Ordonnance sur le transfert international des biens culturels (OTBC).<\/li>\n<li>La Cour Supr\u00eame am\u00e9ricaine confirme la lev\u00e9e de l&rsquo;immunit\u00e9 de l&rsquo;Autriche pour des spoliations ayant eu lieu \u00e0 l&rsquo;occasion de la seconde guerre mondiale.<\/li>\n<\/ul>\n\n            <\/div>\n<div class=\"col-sm-12 bordo margMag\"><\/div>\n            <div class=\"col-sm-2 col-xs-3 hidden-sm text-center-md book-ico\"><img decoding=\"async\" src=\"https:\/\/artlawfoundation.com\/site\/wp-content\/themes\/FDA-\/imgs\/mag.jpg\"><\/div>\n          \t<div class=\"col-md-3 col-sm-4 col-xs-9 profileTxt magTxt\">\n            \t<h3><strong>newsletter N\u00b09<\/strong><\/h3>\n                <div class=\"info\">Avril 2004<\/div>\n                <p><a href=\"http:\/\/artlawfoundation.com\/membership\/\">S'inscrire pour acc\u00e9der aux publications<\/a><\/p>\n            <\/div><div class=\"col-md-7 col-sm-8 mag-list\">\n\t\t\t\n<ul class=\"type1\">\n<li>Ratification de la Convention de l&rsquo;UNESCO de 1970 surla lutte contre le trafic illicite des biens culturels.<\/li>\n<li>Droit d&rsquo;auteur et photographie: un nouvel arr\u00eat du Tribunal f\u00e9d\u00e9ral suisse.<\/li>\n<\/ul>\n\n            <\/div>\n<div class=\"col-sm-12 bordo margMag\"><\/div>\n            <div class=\"col-sm-2 col-xs-3 hidden-sm text-center-md book-ico\"><img decoding=\"async\" src=\"https:\/\/artlawfoundation.com\/site\/wp-content\/themes\/FDA-\/imgs\/mag.jpg\"><\/div>\n          \t<div class=\"col-md-3 col-sm-4 col-xs-9 profileTxt magTxt\">\n            \t<h3><strong>newsletter N\u00b08<\/strong><\/h3>\n                <div class=\"info\">Ao\u00fbt 2003 <\/div>\n                <p><a href=\"http:\/\/artlawfoundation.com\/membership\/\">S'inscrire pour acc\u00e9der aux publications<\/a><\/p>\n            <\/div><div class=\"col-md-7 col-sm-8 mag-list\">\n\t\t\t\n<ul class=\"type1\">\n<li>La Suisse adopte une loi d&rsquo;application de la convention de l&rsquo;UNESCO de 1970<\/li>\n<li>De nouvelles mesures de protection des biens culturels irakiens pill\u00e9s ont \u00e9t\u00e9 adopt\u00e9es par la Suisse<\/li>\n<\/ul>\n\n            <\/div>\n<div class=\"col-sm-12 bordo margMag\"><\/div>\n            <div class=\"col-sm-2 col-xs-3 hidden-sm text-center-md book-ico\"><img decoding=\"async\" src=\"https:\/\/artlawfoundation.com\/site\/wp-content\/themes\/FDA-\/imgs\/mag.jpg\"><\/div>\n          \t<div class=\"col-md-3 col-sm-4 col-xs-9 profileTxt magTxt\">\n            \t<h3><strong>newsletter N\u00b07<\/strong><\/h3>\n                <div class=\"info\">Mars 2003 <\/div>\n                <p><a href=\"http:\/\/artlawfoundation.com\/membership\/\">S'inscrire pour acc\u00e9der aux publications<\/a><\/p>\n            <\/div><div class=\"col-md-7 col-sm-8 mag-list\">\n\t\t\t\n<ul class=\"type1\">\n<li>La plus value lors de la vente d&rsquo;une collection<\/li>\n<li>La cour supr\u00eame am\u00e9ricaine confirme la constitutionnalit\u00e9 de la pro-longation de la dur\u00e9e de protection du droit d\u2019auteur de 50 ans \u00e0 70 ans apr\u00e8s le d\u00e9c\u00e8s de l\u2019auteur.<\/li>\n<\/ul>\n\n            <\/div>\n<div class=\"col-sm-12 bordo margMag\"><\/div>\n            <div class=\"col-sm-2 col-xs-3 hidden-sm text-center-md book-ico\"><img decoding=\"async\" src=\"https:\/\/artlawfoundation.com\/site\/wp-content\/themes\/FDA-\/imgs\/mag.jpg\"><\/div>\n          \t<div class=\"col-md-3 col-sm-4 col-xs-9 profileTxt magTxt\">\n            \t<h3><strong>newsletter N\u00b06<\/strong><\/h3>\n                <div class=\"info\">Mars 2002 <\/div>\n                <p><a href=\"http:\/\/artlawfoundation.com\/membership\/\">S'inscrire pour acc\u00e9der aux publications<\/a><\/p>\n            <\/div><div class=\"col-md-7 col-sm-8 mag-list\">\n\t\t\t\n<ul class=\"type1\">\n<li>Conflit entre la libert\u00e9 de l&rsquo;art et le droit d&rsquo;auteur<br \/>\nUn arr\u00eat de la Cour constitutionnelle allemande<\/li>\n<li>Une d\u00e9finition stricte de la bonne foi en mati\u00e8re de recel d&rsquo;\u0153uvres d&rsquo;art spoli\u00e9es<br \/>\nUn arr\u00eat du Tribunal Correctionnel de Nanterre du 6 juillet 2001<\/li>\n<\/ul>\n\n            <\/div>\n<div class=\"col-sm-12 bordo margMag\"><\/div>\n            <div class=\"col-sm-2 col-xs-3 hidden-sm text-center-md book-ico\"><img decoding=\"async\" src=\"https:\/\/artlawfoundation.com\/site\/wp-content\/themes\/FDA-\/imgs\/mag.jpg\"><\/div>\n          \t<div class=\"col-md-3 col-sm-4 col-xs-9 profileTxt magTxt\">\n            \t<h3><strong>newsletter N\u00b05<\/strong><\/h3>\n                <div class=\"info\">Avril 2001 <\/div>\n                <p><a href=\"http:\/\/artlawfoundation.com\/membership\/\">S'inscrire pour acc\u00e9der aux publications<\/a><\/p>\n            <\/div><div class=\"col-md-7 col-sm-8 mag-list\">\n\t\t\t\n<ul class=\"type1\">\n<li>Vente aux ench\u00e8res on line:<br \/>\nUne int\u00e9ressante d\u00e9cision du Tribunal de Grande Instance de Paris<\/li>\n<li>Edition de catalogues de mus\u00e9es et d&rsquo;expositions:<br \/>\nLe Tribunal F\u00e9d\u00e9ral Suisse tranche la question de la perception des droits d\u2019auteur.<\/li>\n<\/ul>\n\n            <\/div>\n<div class=\"col-sm-12 bordo margMag\"><\/div>\n            <div class=\"col-sm-2 col-xs-3 hidden-sm text-center-md book-ico\"><img decoding=\"async\" src=\"https:\/\/artlawfoundation.com\/site\/wp-content\/themes\/FDA-\/imgs\/mag.jpg\"><\/div>\n          \t<div class=\"col-md-3 col-sm-4 col-xs-9 profileTxt magTxt\">\n            \t<h3><strong>newsletter N\u00b04<\/strong><\/h3>\n                <div class=\"info\">Juin 2000 <\/div>\n                <p><a href=\"http:\/\/artlawfoundation.com\/membership\/\">register to download<\/a><\/p>\n            <\/div><div class=\"col-md-7 col-sm-8 mag-list\">\n\t\t\t\n\n            <\/div>\n<div class=\"col-sm-12 bordo margMag\"><\/div>\n            <div class=\"col-sm-2 col-xs-3 hidden-sm text-center-md book-ico\"><img decoding=\"async\" src=\"https:\/\/artlawfoundation.com\/site\/wp-content\/themes\/FDA-\/imgs\/mag.jpg\"><\/div>\n          \t<div class=\"col-md-3 col-sm-4 col-xs-9 profileTxt magTxt\">\n            \t<h3><strong>newsletter N\u00b03<\/strong><\/h3>\n                <div class=\"info\">Mars 2000 <\/div>\n                <p><a href=\"http:\/\/artlawfoundation.com\/membership\/\">register to download<\/a><\/p>\n            <\/div><div class=\"col-md-7 col-sm-8 mag-list\">\n\t\t\t\n\n            <\/div>\n<div class=\"col-sm-12 bordo margMag\"><\/div>\n            <div class=\"col-sm-2 col-xs-3 hidden-sm text-center-md book-ico\"><img decoding=\"async\" src=\"https:\/\/artlawfoundation.com\/site\/wp-content\/themes\/FDA-\/imgs\/mag.jpg\"><\/div>\n          \t<div class=\"col-md-3 col-sm-4 col-xs-9 profileTxt magTxt\">\n            \t<h3><strong>newsletter N\u00b02<\/strong><\/h3>\n                <div class=\"info\">Ao\u00fbt 1999 <\/div>\n                <p><a href=\"http:\/\/artlawfoundation.com\/membership\/\">register to download<\/a><\/p>\n            <\/div><div class=\"col-md-7 col-sm-8 mag-list\">\n\t\t\t\n\n            <\/div>\n<div class=\"col-sm-12 bordo margMag\"><\/div>\n            <div class=\"col-sm-2 col-xs-3 hidden-sm text-center-md book-ico\"><img decoding=\"async\" src=\"https:\/\/artlawfoundation.com\/site\/wp-content\/themes\/FDA-\/imgs\/mag.jpg\"><\/div>\n          \t<div class=\"col-md-3 col-sm-4 col-xs-9 profileTxt magTxt\">\n            \t<h3><strong>newsletter N\u00b01<\/strong><\/h3>\n                <div class=\"info\">Avril 1999 <\/div>\n                <p><a href=\"http:\/\/artlawfoundation.com\/membership\/\">register to download<\/a><\/p>\n            <\/div><div class=\"col-md-7 col-sm-8 mag-list\">\n\t\t\t\n\n            <\/div>[:]\n","protected":false},"excerpt":{"rendered":"Art Law Magazine\u00a0| \u00c9tudes en droit de l\u2019art 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