{"version":"1.0","provider_name":"Fondation pour le droit de l&#039;art","provider_url":"https:\/\/artlawfoundation.com\/fr\/","author_name":"Anne","author_url":"https:\/\/artlawfoundation.com\/fr\/author\/anne\/","title":"La photographie et ses diff\u00e9rents aspects contractuels - Fondation pour le droit de l&#039;art","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"w93aRkcRBu\"><a href=\"https:\/\/artlawfoundation.com\/fr\/fda-events\/la-photographie-et-ses-differents-aspects-contractuels\/\">La photographie et ses diff\u00e9rents aspects contractuels<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/artlawfoundation.com\/fr\/fda-events\/la-photographie-et-ses-differents-aspects-contractuels\/embed\/#?secret=w93aRkcRBu\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0La photographie et ses diff\u00e9rents aspects contractuels\u00a0\u00bb &#8212; Fondation pour le droit de l&#039;art\" data-secret=\"w93aRkcRBu\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/artlawfoundation.com\/site\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/artlawfoundation.com\/site\/wp-content\/uploads\/2018\/03\/Photographie-e1522251267914.png","thumbnail_width":794,"thumbnail_height":440,"description":"La Fondation pour le droit de l\u2019art a d\u00e9marr\u00e9 il y a deux ans un nouveau cycle de conf\u00e9rences intitul\u00e9 L\u2019art du contrat.  Cette s\u00e9rie vise, d\u2019une part, \u00e0 analyser de fa\u00e7on critique les contrats utilis\u00e9s dans le cadre de transactions, services et performances li\u00e9s \u00e0 l\u2019art, que ce soit par des artistes, collectionneurs, galeries, maisons de vente ou mus\u00e9es et, d\u2019autre part, de contribuer au d\u00e9veloppement de cette pratique en proposant des mod\u00e8les de contrats pouvant servir de base aux artistes et acteurs du march\u00e9 de l\u2019art."}